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The Stuart and Sons PianoThe Stuart & Sons Piano

Have you heard about the fabulous new Stuart & Sons piano manufactured in Newcastle by Piano Australia? It is an instrument that has the potential to establish a new aesthetic in piano sound. More information can be found on the Stuart & Sons website. There are now 25 Stuart grand pianos in existence in institutional and private ownership. The 2.2m piano was launched at the Verbrugghen Hall, Sydney Conservatorium in June 2003. CSIRO has been there playing its part through some work that CSIRO mathematician Bob Anderssen has been doing on the vibration of piano strings.

A major difference in the making of the Stuart piano is the anchoring of the strings to the soundboard by a bridge agraffe rather than the usual ziz-zag pins. Compare the two diagrams below.

 

Diagram showing comparison between traditional verses Stuart and Sons string clamps

This change is enough to affect the sound of the piano significantly. The traditional horizontal zig-zag clamps cause the initial vertical vibrations of the strings when they are struck to quickly develop elliptic polarization and to eventually vibrate horizontally across the face of the soundboard. The Stuart pianos' agraffe clamps essentially prevent this tendency of the vertical vibrations to develop elliptical polarization. Bob has been able to establish mathematically that keeping the strings on a piano vibrating vertically improves the harmonicity of the tones they generate. His work has assisted in confirming that the technology of the Stuart & Sons pianos is something very new, special and perceptive, which represents a new musical challenge for both composers and musicians.

The application devised by Stuart produces a tonal quality with great clarity and sustain. In many ways there is a lesson about intellectual property in this story. The engineering concept predates a more advanced application driven by the ever changing fashion in music performance and instrumental sound aesthetics. This sets Stuart's work apart from the construction/engineering principles established in the latter half of the 19th century used to realise the music and sound fashion of that period - subsequently copied in almost every detail by numerous piano manufacturers since.

Contact: Bob.Anderssen@csiro.au or visit his web site.

Last updated by union.huynh@csiro.au on: September 01, 2005 05:51 PM

 

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